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Katiliyle Kahvaltı
Identities are erased, truth is blurred; crime and hero are rewritten through censorship.
Director: Adem Kaya
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Katiliyle Kahvaltı
Our protagonist, also named "Hero", arrives at a deserted hotel covered in snow. In the hotel, there are seven people belonging to different identities and social circles. One of these people is murdered. By talking to the other people in the hotel, the protagonist learns that the murdered person is actually the owner of the hotel and that he has done various evil deeds to these six people at different times. At a moment when the audience wonders who the murderer is, the linear flow of the movie is disrupted. What happens if the institution that is going to broadcast this film is uncomfortable with the identities or political references in the film? How is the movie released? To what extent might censorship change the relationships between the crime, the criminal and the characters in the film?
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